One of the two large rooms, it has the most wood on the walls, a stonewall corner, and a ‘heraclite’ corner (compressed wood chunks, spray painted white), removable absorbing/reflecting panels on the ceiling, so a variety of acoustics are possible here ...

No wood on the walls here, to be able to create a dry sound, but still have the ability to create ‘distance’ in your recordings, a dry room signal is an advantage on a variety of input signals, you’ll be able to get that killer dry drum sound and hear all the details on the cymbals ...

A booth with direct view on the Control Room, very handy for vocals, percussion, to put an amp or a cab, or a vocalist with acoustic guitar, voice over, etc… One fourth of the volume of this room (which is in fact 2,35 by 2,20m) is bass trap material, ...

Another extra dry booth where usually the bass cab or amp gets placed: not too small so it’s possible to put different cabs or amps in it, and great to isolate that one guitar or bass amp that HAS to be on 11 ...

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A comfortable room of 4 by 9 meters and 3.20m high, with direct view on the Wet Room, Main Hall and Vocal Booth, camera view on the Wet and Dry Room and even vocal booth...

Because of the shape of this hall(it starts wide, gets wider and then starts to narrow down, so no parallel walls), and the red epoxy(artificial resin) floor we were able to create a very beautiful and already popular reverb, ...

The kitchen is also on the studio patch so you can use the kitchen as a recording room. Nice to be able to put that one last extra amp there without disturbing the other rooms. Because of the furniture the sound ...

Because of its rather strange dimensions and naked walls, the verb room, which is in fact the hall in between the ...

Part of the private garden (approx. 225 ㎡) and terrace are available for relaxing, a lunch/dinner outside, a smoke, some sun … Driveway for parking up to 10 cars.